Reviews 365 Page 1 of 4
Filters:
Rating
Language
Sort:
Most recent

Ho Ho

Was taken to the Wigmore for lunch earlier this ye...

Was taken to the Wigmore for lunch earlier this year. Chose from the cheap and cheerful lunch menu and found it really good. Can't recall what I had but it was exceptional value for money. Staff were polite but they knew my host very well. The chablis was good quality, and again reasonably priced..

Cosy

We had the opportunity last November to sit in sev...

We had the opportunity last November to sit in several locations in this amazing concert hall. The sound in each location - from the very back rows, to the edges, to the front - was consistently clear and beautiful: an ideal place for chamber music/small group performances - plus, it's gorgeous to look at!

Best acoustics in London -- exquisite concert hall...

Best acoustics in London -- exquisite concert hall -- Sunday morning Coffee Concerts -- coffee or sherry complimentary during intermission -- so civilized ! good restaurant too for pre-concert ..

I love Wigmore Hall, the acoustics are amazing whe...

I love Wigmore Hall, the acoustics are amazing wherever you sit. Good value tickets and a beautiful building to boot. Under 35's get discounted tickets, and despite the largely older crowd, the music is phenomenal. I'm not a classical expert, but feel welcome to drop in and enjoy great music.

Elegant

I went to see the Nash Ensemble last Saturday whic...

I went to see the Nash Ensemble last Saturday which was marvellous.
I want to say a particular thank you to the restaurant staff. The venison was delicious and the service fantastic especially given how busy they seemed to be. I believe there were 2 concerts that evening so a big thank you to them all for serving us all so speedily and with such great service

Wigmore Hall is a first class concert venue for cl...

Wigmore Hall is a first class concert venue for classical music in the heart of London. The bars and restaurant are stylish, comfortable and well maintained, and the staff work hard.

The acoustic of the hall is perfect for chamber music or solo recitals, and the seats are comfortable and don't make any noise so as not to disturb the concert.



There could be more toilets, but aside from that, Wigmore is well worth a visit.

Best acoustic for classical music. Never been to a...

Best acoustic for classical music. Never been to a bad performance there. Even if you sit in the last row you can hear it very well. Intimate hall with great atmosphere. Check out the Sunday morning concerts.

Granted, someone may deplore that, a century later...

Granted, someone may deplore that, a century later from the IGM, a pretext for the requisition of several important London buildings owned by Germans, the hall was not re-named after poor Bechstein, a producer and More

Great place for music in a very calm and relaxing ...

Great place for music in a very calm and relaxing environment. This is definitely one of London's best kept secrets with many activities and programs held for all ages. I especially love the "Crying out loud" concerts for babies and caregivers!

Wigmore Hall is perhaps the most important venue f...

Wigmore Hall is perhaps the most important venue for chamber music in London, it has responded decisively and proactively to the pandemic situation, I felt safe at all times, the public flow is managed professionally and with a smile.

As for the music I really don't need to say much, some of the best musicians in the world often make a stop here, that this has restarted is a real comfort and inspiration.

Not all cultural venues are even trying to get things going for a variety of reasons, and of those that try some don't get it right, Wigmore Hall is an example for others to follow for the next months, perhaps years if we are unlucky, about how to confront the virus without completely giving up on culture.

For decades now, the unique atmosphere and acousti...

For decades now, the unique atmosphere and acoustic of the Wigmore Hall has made it the place in the UK, if not the world, to hear great chamber music. My delight on Friday was to see the remarkablly talented young pianist, Beatrice Rana. It seems no time since she was a Radio Three New Generation Artist. Now she has four CDs to her name and her piano playing is already much sought after among pianophiles.
Her latest CD focused her virtuosity and boundless technique on Ravel and Stravinsky. On Friday, her recital ended with Stravinsky's own stunning transcription of three episodes from Petrouchka. Showing effortless physicality and brilliance, Rana completed a recital which had begun with Bach's Italian Concerto and taken in Schumann's F minor sonata. All wonderfully played. Rana is thrilling to hear on disc but, if it's possible, much more so live. See her now when she is reaching stardom.
The venue gets only three out of five stars. The acoustic is as great as always. Only trouble is the lack of any serious welcome and the unhelpful and officious staff. I don't really go for the American style of flashing teeth and, "Have a nice day!" It would, however, be quite nice if the programme sellers and ushers could break into a smile. Or even be remotely pleasant. I was challenged to show my ticket when I re-entered the hall during the interval, having dared to leave for a glass of water and a loo trip.
OK, the Wigmore rules on "readmittance", are publicised. But never did I suspect that a grim faced usher thirty-five years my younger would actively stop me walking back to my seat. Humourless and (really) piping, "only doing my job", this young woman was decidedly not happy in her work or, I suspect, her life. Having ruined my evening by overt petty rudeness she obviously gave the job up as I watched but failed to spot her challenging a hundred other people to reshow their tickets.
Now it may be that I was scruffy, or old or not wearing a suit but I do wonder why I was picked out as someone who had sneaked in at the interval to catch the second half free.
If the Wigmore management read this they should ponder the behaviour their staff. With artists of the calibre of Beatrice Rana, the seats sell themselves. But that is no excuse at all for indulging staff whose sole ambition seems be to render the evening as unwelcoming as possible. Please, let the Wigmore return to being a warm and welcoming place - even for those without suits and still under the age of eighty.