Glasgow Film Theatre

Glasgow Film Theatre

4.7 518 Reviews
William homer
Reviews 1

Great little auld fashioned cinema. Reminds me o the days before multi Plex. Only issue is the seats are as quaint as the building and uncomfortable. The foyer n bars are small. So at a full house it's crampt until ye get in n sat Doon. But in all an enjoyable venue

Andrea Welsh
Reviews 1

An iconic favourite amongst creative community. They show art house films and productions by smaller independent companies. I've also been to a few talks here too and the size lends itself to providing an intimate atmosphere for this type of event. The cafe is great for a drink and many original Art Deco features remain.

Jibunnessa Abdullah
Reviews 1

Very friendly venue that screens a variety of interesting and thought-provoking films, both by local Scottish filmmakers, and from around the globe. Screenings often have Q + A sessions afterwards involving directors and artists. Notable examples include: 'Leaning into The Wind,' an excellent documentary about Andy Goldsworthy with him taking questions afterwards, and the absolutely shockingly stunning, 'Under The Wire' based on the book by the Sunday Times photojournalist, Paul Conroy about his and Marie Colvin's time in Baba Amr during the siege and bombardment of Homs by Assad's forces, and the assassination of Marie Colvin. Paul Conroy was at the Q+A afterwards with the director, Chris Martin. The GFT is also home to a number of annual film festivals, including: The Glasgow Film Festival, The Glasgow Short Film Festival and The Glasgow Youth Film Festival. The location is also very central and close to lots of places to eat out afterwards.

Villa Zebra
Reviews 1

Delighted to be back at the GFT for the first time since it had to close due to Covid-19. Online booking worked very well and seats were spaced out very generously. I didn't have to come anywhere near anyone else during my visit. And I was delighted to be able to see Les Miserables, surely a contemporary classic, on the big screen.

Catherine Mooney
Reviews 1

Home from home. Cinema as it should be. Three screens of different sizes. Showing popular films in addition to good world cinema and foreign language films. There is a annual membership for cheaper tickets and some discounted tickets during the day. Parking is available near by at Cambridge Street car park but the cinema is close to Cowcaddens underground, and a short walk between Charing X and Queen Street stations.

isabel mcpherson
Reviews 1

Having been used to the larger, more spacious cinemas like Odeon etc, with recliner chairs and cup holders etc, it was quite the thing getting used to the more confined seating, and no amenities, like cup holders on the chair arms, and less legroom. But the film, the Irishman, was very absorbing.,and I soon settled and the lack of amenities wasn't an issue anymore. Nice for a change of scene. And no stale smells of popcorn or hotdogs, which was excellent. Like a return to simpler days and calmer times. Didn't miss the overpriced, unhealthy, full of e numbers, drinks and sweets, that are in your face in the chain cinemas nowadays

Rupert Wolfe Murray
Reviews 1

GFT seems to be an important landmark in Glasgow's cultural scene -- the art house cinema. Appropriate decor: old fashioned styling, bit run down, tasteful film posters everywhere, good lighting, small bar. There is an appeal for funds to modernise the place and remove its personality. I went to see the Franchise film Elle which was sick and twisted but pretty damn good. The GFT is the place to go if you're looking for something to do in Glasgow and you don't fancy getting pissed

Holly Miller
Reviews 1

It s easy to give the GFT 5 stars. I always enjoy going there. Watch out for the Glasgow Film Festival every February. It s not the same scale as the EIFF, but that means if you attend a director s Q&A it is a much more intimate experience. It is well worth looking out for special events like that.

Niall Baird
Reviews 1

Always love the GFT but this week was exceptional, as we watched a film that not a single person in an almost full auditorium, Screen 2, did not leave their seat until all of the credits had fully rolled and the house lights came back on. The film was Apollo 11, a documentary on the eponymous mission superbly turned into a piece of social anthropology ...