I was looking at the site to see if Ed Harimoto might be a good fit for an upcoming project. The list of camera systems is really long, which is good, but I was surprised to see design services like 3D printing and product design listed alongside traditional camera roles. It makes me wonder how much of the design work is included in a standard day rate or if that is a separate fee. The contact form asks for budget ranges, which is helpful, but the rates page doesn't show any numbers upfront. I would have liked to see a clearer breakdown of what is included in each role. The global availability is definitely a plus, but for a first impression, the pricing structure feels a bit hidden. It seems like a solid professional, but I would need to reach out to get a better sense of the costs before committing to a booking.
Questions about Ed Harimoto
What is Ed Harimoto?
Ed Harimoto is a freelance camera department professional who works as a 1st Assistant Camera and Designer. He provides services for narrative, commercial, and music video productions, along with custom solutions involving CAD, 3D printing, and product design. His work focuses on technical precision and quiet collaboration on set, from large-format digital workflows to 35mm motion picture capture. He is available worldwide and has worked on a wide range of projects including narrative films, music videos, and branded content.
What specific roles and rates are available for commercial productions?
He offers specific roles such as Camera Operator, 1st Assistant Camera, and 2nd Assistant Camera. The 1st Assistant Camera role includes focus pulling, lens changes, and camera build maintenance, while the 2nd Assistant Camera role covers slating, marks, and media management. For commercial productions, the rate for a Camera Operator is listed at $1,000 per day. Clients can get a full production quote by using the Quote Calculator on his website.
Which camera systems and technical movements does he specialize in?
He operates with a wide variety of camera systems including ARRI ALEXA 35, RED HELIUM, and SONY VENICE I / II. His technical expertise extends to camera movements using tools like ARRI HI-5, DJI RONIN 2, and TILTA NUCLEUS NANO I / II. He also has hands-on experience with wireless FIZ specialists and DIT-adjacent workflows on smaller units.
Where is he located and what areas does he serve?
He is based in California but is passport-ready and available worldwide for productions. His services span from prep through final capture, supporting both small independent crews and larger professional sets. He continues to build his career within the camera department while expanding his cinematography work across narrative and commercial projects.
How can a client initiate a project or request a quote?
To get started, clients can use the Quote Calculator on his website for a full production quote. He also provides a contact form where users can select a budget range from under $10k to $1M+ and specify preferred contact methods. The response window for inquiries is stated as 48 hours, and he prefers to discuss details via email or phone.
What recent productions has he worked on and in what capacity?
His recent credited productions include short films and commercials where he served in 1st or 2nd Assistant Camera roles. Notable 2026 projects include RETELL AI, Noise, Proof of Concept "Pressure", Political Ad, and Stanislaus Legacy. He has also worked on documentary work and music videos alongside narrative features.
What do reviewers commonly praise about his work?
Some reviewers praise his technical precision and quiet, collaborative presence on set. They highlight his ability to translate directorial vision into practical, precise execution while supporting efficient camera department workflows. His approach is driven by a deep interest in how lensing, camera movement, and lighting work together to serve story and emotion.
What specific camera systems and operating styles does he handle?
He has experience with a diverse array of camera systems ranging from ARRI ALEXA SXT PLUS to CANON C70 / C80 and FUJI GFX100 II. His proficiency includes operating handheld, dolly, and studio setups with long lens and precision camera work. He also handles wireless FIZ specialist duties and DIT-adjacent tasks on smaller units.
What are his core capabilities and roles in the camera department?
He is described as a cinematographer and 1st Assistant Camera working across narrative, commercial, and independent film productions. His capabilities include focus pulling, lens changes, and camera build maintenance across features and commercials. He also manages slating, marks, and media management as a 2nd Assistant Camera.
What types of projects does he support and who is his ideal client?
He works on a wide range of projects including narrative films, music videos, and branded content. He supports both small independent crews and larger professional sets with his hands-on experience across camera assisting, operation, and on-set technical coordination. His work focuses on creating visually intentional imagery while supporting efficient, collaborative camera department workflows.
What are the key details about his availability and location?
He is available worldwide with day rates and a quote calculator listed on his site. He is described as a cinematographer and 1st Assistant Camera working across narrative, commercial, and independent film productions. His work focuses on creating visually intentional imagery while supporting efficient, collaborative camera department workflows from prep through final capture.
What is the official website of Ed Harimoto?
The official website of Ed Harimoto is edharimoto.com.
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4 Reviews
The extensive list of camera systems and technical movements shows strong technical proficiency across both film and digital formats.
The website shows a solid list of camera systems and roles. It covers a lot of ground from 1st AC to design work. The global availability is a nice touch for various projects. Seems like a reliable option for technical support on set.
From the information available, Ed Harimoto presents a robust profile for camera department professionals seeking specialized support. The breadth of camera systems listed is impressive, spanning from legacy film formats like the ARRI SR3 to modern digital heavyweights such as the Sony Venice II and RED Komodo. This wide compatibility suggests a high level of technical adaptability. While the design capabilities including CAD, 3D printing, and product design are listed, it is not immediately clear how these integrate into the standard camera assisting workflow or if they are offered as distinct add-on services. The inclusion of a quote calculator is a welcome touch for production budgeting, yet the day rates remain opaque until direct inquiry. For someone considering this company for a large-format digital workflow or 35mm capture, the emphasis on technical precision and quiet collaboration on set seems promising. The passport-ready status and worldwide availability are significant advantages for international productions. Ultimately, the detailed credit history and specific role definitions provide a solid foundation for trust, though clearer pricing structures would enhance the overall appeal for smaller independent crews looking for efficient, collaborative support.
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About Ed Harimoto
Ed Harimoto is a freelance camera department professional working as a 1st Assistant Camera and Designer. His services include work as a 1st AC, 2nd AC, and camera operator on narrative, commercial, and music video productions, along with camera department support and custom solutions involving CAD, 3D printing, and product design. He is available worldwide, with day rates and a quote calculator listed on his site. Recent credited productions include short films and commercials on which he served in 1st or 2nd Assistant Camera roles.
- Website
- edharimoto.com
- [email protected]
- Categories
- Entertainment, Media production, Motion pictures and film
