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Emily Watson
Reviews 1

I was looking at the site to see if Ed Harimoto might be a good fit for an upcoming project. The list of camera systems is really long, which is good, but I was surprised to see design services like 3D printing and product design listed alongside traditional camera roles. It makes me wonder how much of the design work is included in a standard day rate or if that is a separate fee. The contact form asks for budget ranges, which is helpful, but the rates page doesn't show any numbers upfront. I would have liked to see a clearer breakdown of what is included in each role. The global availability is definitely a plus, but for a first impression, the pricing structure feels a bit hidden. It seems like a solid professional, but I would need to reach out to get a better sense of the costs before committing to a booking.

Liam OConnor
Reviews 1

The website shows a solid list of camera systems and roles. It covers a lot of ground from 1st AC to design work. The global availability is a nice touch for various projects. Seems like a reliable option for technical support on set.

Marcus Thorne
Reviews 1

From the information available, Ed Harimoto presents a robust profile for camera department professionals seeking specialized support. The breadth of camera systems listed is impressive, spanning from legacy film formats like the ARRI SR3 to modern digital heavyweights such as the Sony Venice II and RED Komodo. This wide compatibility suggests a high level of technical adaptability. While the design capabilities including CAD, 3D printing, and product design are listed, it is not immediately clear how these integrate into the standard camera assisting workflow or if they are offered as distinct add-on services. The inclusion of a quote calculator is a welcome touch for production budgeting, yet the day rates remain opaque until direct inquiry. For someone considering this company for a large-format digital workflow or 35mm capture, the emphasis on technical precision and quiet collaboration on set seems promising. The passport-ready status and worldwide availability are significant advantages for international productions. Ultimately, the detailed credit history and specific role definitions provide a solid foundation for trust, though clearer pricing structures would enhance the overall appeal for smaller independent crews looking for efficient, collaborative support.

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About Ed Harimoto

Ed Harimoto is a freelance camera department professional working as a 1st Assistant Camera and Designer. His services include work as a 1st AC, 2nd AC, and camera operator on narrative, commercial, and music video productions, along with camera department support and custom solutions involving CAD, 3D printing, and product design. He is available worldwide, with day rates and a quote calculator listed on his site. Recent credited productions include short films and commercials on which he served in 1st or 2nd Assistant Camera roles.