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Europa editions

3.5· 32 reviews
Average ratingAverage
3.5/ 5

Based on 32 reviews

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Zoë Apostolides
Reviews 1

Europa Editions has done it again with this standout title. The book isn't just a standard whodunit; it digs into the rot beneath a society obsessed with projecting wealth. Switching between the present and the past gives the story a cinematic feel, painting a clear picture of the greed and violence behind Clara's death. It’s an ambitious work with precise structure and high energy, even when the prose's brilliance clashes with Michele's chaotic search for the truth. A solid, engaging read.

Charles McGrath
Reviews 1

Europa Editions delivers another standout title with this inventive novel set in 1785 Paris. The story follows Jean-Baptiste Baratte, a young engineer who identifies more as a rationalist student of Voltaire than a typical romantic lead. What keeps the narrative grounded is its incredible attention to physical detail; the world feels tangible and real rather than abstract. The prose is elegant, the structure is intricate, and the ending cleverly mirrors the beginning. Despite its polished architecture, the book ultimately celebrates the messiness of life and the “world’s fabulous dirt.” A carefully wrought piece of fiction that balances artful construction with raw humanity.

Namara Smith
Reviews 1

I’m not sure if the people at Europa Editions in New York were involved in picking this one, but it’s a real letdown. While *Ferocity* looks the part of a slick thriller, it aims higher but misses the mark. Clara serves as a convenient thread to stitch together disparate characters, much like the baseball in DeLillo’s *Underworld*, but that’s where the utility ends. Once the pieces are in place, Lagioia seems lost. Instead of offering deep insights, his characters just chatter about globalization and industrial pollution. The book tries to tackle the corruption of Italy’s elite by neoliberal policies—a fascinating topic—but then abandons it for vague abstraction. The main takeaway boils down to “life is a jungle,” illustrated by random animal vignettes: the strong take what they want, and the weak suffer. And honestly, did another beautiful woman have to die just to prove that point? A solid 1 out of 4.

Alison Flood
Reviews 1

Europa Editions in New York delivers a truly unsettling reading experience that sticks with you. The atmosphere they cultivate is distinctly eerie, making the work feel both gripping and slightly unnerving. A solid four out of five stars for this memorable and haunting quality.

Baya Simons
Reviews 1

Europa Editions delivers another masterclass in literary translation with this release. Lahiri’s translation captures Starnone’s precise, cinematic control of time and perspective, ensuring the narrative’s singularity remains intact while exploring complex themes like the sacrifices of monogamy and the risks of self-fashioning. The story twists and turns with the unpredictability of a rollercoaster, unflinchingly depicting the physical and verbal violence that can erupt in close relationships. There is a high-drama, almost soap-opera quality to the chapter endings, yet it feels earned. This careful handling of perspective brings an impressive sense of grandeur to a brief novel, evoking the aching poignancy of hindsight.

Joanne Kaufman
Reviews 1

While Europa Editions’ release doesn’t fully ignite the dynamic between its female characters, the underlying themes of interdependence are certainly hinted at, especially in Lucy Rand’s translation. Ms. Graziosi remains a witty and insightful observer of influencer culture, even if the narrative heat stays moderate. A solid, if not thrilling, read from a New York-based publisher known for quality literary fiction.

M.A.Orthofer
Reviews 1

I found this book to be a genuinely intriguing read, largely due to Pietro’s flawed character arc. It’s fascinating how he gradually fades into the background during the final two sections, becoming barely noticeable in Emma’s narrative and disappearing entirely in Teresa’s. While the time jump of about forty years is massive, the core of the story remains intact; the latter parts essentially serve as a coda to Pietro’s own perspective. The introduction of Emma as an adult with a full life and four children comes as a bit of a jolt since she was only a minor figure in Pietro’s section. However, both her and Teresa’s accounts, which center on Pietro’s recognition ceremony, provide a satisfying closure and offer a final verdict on how he impacted those around him. Although the narrators can be difficult and willful, they are compelling enough to keep you engaged. Even if the portrait of Pietro isn’t entirely convincing, *Trust* is still a solid and appealing choice, fitting well among the quality titles available from Europa Editions in New York.

STEVEN G. KELLMAN
Reviews 1

Europa Editions continues to deliver with another sharp, concise novel that penetrates deep into the heart of its characters. Starnone has solidified the trust readers place in this publisher through a nimble exploration of human fragility. Meanwhile, Lahiri, whose award-winning work has cemented her status as a prominent voice in contemporary American literature, persists in her ambitious yet subtle effort to disappear into the prose of another writer.

Deborah E. Kennedy
Reviews 1

Reading a novel published by Europa Editions often feels like an adventure, and this one is no exception. It’s a bit wild and inconvenient, yet undeniably brilliant. The narrative meanders through philosophical depths, exploring the thin line between humanity and beasthood with a complexity that is both intoxicating and slightly disorienting. It evokes a unique blend of the emotional intensity of *I Am Love* and the gritty family dynamics of *The Godfather*, set against a backdrop reminiscent of Toni Morrison’s work. However, the structure has its flaws. Because Clara passes away in the very first chapter, we rarely get to see the world through her eyes. When we do, the writing becomes overly lyrical, struggling to justify actions that often feel contradictory, almost to the point of absurdity. It’s a dense, layered read that complicates our understanding of men on the brink and women surrendering to despair, but the lack of focus on its central female character holds it back from true greatness.

Lovia Gyarkye
Reviews 1

Europa Editions’ release shows a story with promise, but the execution falls short. Graziosi aims to weave suspense and mystery, yet the prose doesn’t quite support the narrative weight. Too much reliance on straightforward explanation weakens the sharp, witty voice that made the beginning so engaging.

Madeleine Feeny
Reviews 1

Europa Editions, based in New York, has once again delivered a compelling read with this title. The narrative’s momentum is driven by de Vigan’s crisp, unadorned writing style, which is brought to life through Alison Anderson’s polished translation. The inclusion of police transcripts and other documentary elements adds a layer of journalistic authenticity. While the political stakes and psychological complexity are certainly highlights, what truly resonates is the way the story dissects the backgrounds of its main characters to reveal the roots of their conflicting views on social media. If the story’s warnings about digital privacy hold true, then the phenomenon of "kidfluencers" is merely one of the hidden dangers lurking in our era of constant, raw online exposure.

Nadja Spiegelman
Reviews 1

Europa Editions has done a fantastic job bringing Mieko Kawakami’s voice to English readers in New York. The translation by Sam Bett and David Boyd is truly impeccable, capturing the sharp, uncomfortable clarity of adolescence so vividly that you feel the weight of the bullying scenes. It’s a rare literary experience where the dissonance builds perfectly toward a breathtaking conclusion. Kawakami displays an unusual courage in her ending, offering a profound sense of resolution that feels both beautiful and necessary. A compelling read that justifies the praise it receives.

Kathryn Harrison
Reviews 1

Europa Editions delivers a richly layered narrative here, blending intellectual depth with gothic atmosphere. The story effectively uses the metaphor of a collapsing wall between the necropolis and the living city to explore broader existential conflicts—decay versus purity, the old versus the new. Miller’s characterization is convincing, creating a vivid world that feels entirely real despite being invented. A solid 3.0 out of 4.0 rating for this sensual, idea-driven ghost story.

Mark Athitakis
Reviews 1

Europa Editions, based in New York, delivers sharp literary work that stands out in the professional services sector. While the satire of influencer culture may feel familiar, their focus on complex character studies adds a refreshing edge. This title effectively captures the nuance of being trapped in modern social dynamics, offering a compelling read that balances humor with genuine insight.

Joumana Khatib
Reviews 1

Europa Editions has once again demonstrated why they are a powerhouse in bringing global voices to New York readers. *Older Brother* by Mahir Guven is a gripping debut that captures the chaotic energy of the Parisian banlieues with the precision of a seasoned journalist. Guven, a native of Nantes and refugee’s son, uses his reporter’s eye to explore complex themes like immigration and economic unrest without offering easy answers. The narrative, driven by the wry and insouciant voice of the older brother (masterfully translated by Tina Kover), restores dignity to its characters while avoiding the trap of a simple moral fable. This Prix Goncourt-winning novel is a testament to the publisher’s ability to deliver literature that is both intellectually stimulating and deeply human.

Ron Charles
Reviews 1

Europa Editions delivers a compelling historical narrative in New York with Miller’s latest. It’s essentially the inverse of Ken Follett’s *Pillars of the Earth*, focusing on Jean-Baptiste Baratte, a character tasked with emptying a cemetery and dismantling a church. While Jean-Baptiste is fictional, the 1785 setting feels vividly authentic. He is a likable protagonist, earnest and serious, caught between his ambition and his inherent kindness. His dedication to rational self-improvement is humorous, especially his nightly recitation of a godless affirmation to honor reason. He boasts of having a “trained and shadowless mind,” but the graveyard’s miasma soon tests that resolve. Not a total country bumpkin, he is nonetheless dazzled by Paris. Watching him stumble through the city in the early scenes—fumbling to buy the correct suit and struggling to keep his drink—is truly delightful.

May Jeong
Reviews 1

Europa Editions’ release of Mahir Guven’s work is a fascinating case study in the art of translation. While the novel manages to read like a thriller with its suspenseful focus on marginalized lives and sharp, humanist insights, the English version isn’t without its flaws. Although the book was praised in France for its authentic banlieue vernacular, those traces of genius are somewhat diluted here. The translation often loses the original cadence, replacing it with American colloquialisms that can feel distracting and pull you away from Guven’s believable world. Still, the author’s skillful weaving of themes—connecting the lack of choice in the banlieues to the Syrian civil war and the broader issues of immigration and terrorism—remains impressive. It’s a compelling read, even if the linguistic nuances of the original French edition didn’t fully survive the journey to New York.

Lily Meyer
Reviews 1

A profoundly moving exploration of the angst inherent in growing up. Reading it feels like stepping into the shoes of a character from Elena Ferrante’s novels or the poignant world of Bo Burnham’s *Eighth Grade*. Be warned: this story will likely bring tears to your eyes. Kawakami’s prose avoids simple sentimentality; instead of a straightforward romance, Kojima occupies a more ambiguous space in the narrator’s life. Their bond is fleeting and confusing, driven less by deep intimacy and more by the fragile idealism of adolescence. What makes this novel truly stand out is its ending—liberation through nihilism is a rare choice for a coming-of-age story about bullying. Ultimately, the narrator’s acceptance of emptiness feels like a necessary, albeit temporary, step in his development.

Rayyan Al-Shawaf
Reviews 1

Europa Editions’ release of Guven’s novel is a mixed bag, ultimately landing around a three-star rating. While the narrator’s delivery can be a bit sluggish, Tina Kover’s English translation manages to capture the original French’s brash energy effectively. The story of Older Brother has its moments—shifting from witty observations to the clichéd recounting of his Parisian upbringing—but it ultimately delivers a clever, albeit slightly melancholic conclusion. It’s a book that rewards patience despite its uneven pacing.

Ellen Atkins
Reviews 1

Europa Editions in New York brings us "Kids Run the Show," a book centered on Kimmy’s abduction. While it wears the skin of a thriller, it feels more like a sociological study than a gripping mystery, and arguably more thought-provoking than emotionally engaging. You are placed right in the viewer’s shoes, vicariously experiencing de Vigan’s narrative, yet you never quite manage to truly feel it.

Merve Emre
Reviews 1

Europa Editions presents a refreshing departure from the often overwrought trend of voice-driven fiction with this 'novel of ideas.' Instead of relying on dusty philosophical cadences or tedious repetitions of old concepts, the author offers a nuanced exploration that avoids simple moralizing or a fascination with antisocial quirks. True to a genealogical approach, the narrative sets personal accounts of suffering against fragmented dialogues, striving to make those experiences understandable. There is no preaching here; just an elegant, rigorous process of inquiry that proves fiction can address the political and moral complexities of real life, rather than focusing solely on isolated individual minds. A compelling read that challenges conventional novelistic boundaries.

Ashlynd Buras
Reviews 1

I have been a loyal customer of Europa editions for years, and I have never been disappointed. Their books are always of the highest quality, and their website makes it easy to find and purchase the titles I'm interested in. The customer service is also top-notch. Highly recommended!

Krishnaisengg Krishna
Reviews 1

I recently discovered a new publisher for my favorite authors. I have been a fan of their books for years, but I had no idea they were published by Europa editions. Their website is easy to navigate, and they have a great selection of titles. I'm excited to explore more of their catalogue.

Devion Brown
Reviews 1

I recently purchased a book from Europa editions and I have to say, I am very impressed with the quality. The story was engaging and the characters were well-developed. The website was user-friendly and the checkout process was smooth. I would definitely buy from them again.

Abraham Panahi
Reviews 1

I have been a customer of Europa editions for a few months now, and I must say that I am quite satisfied with their services. The quality of their books is top-notch, and their website is easy to navigate. The only downside is that their prices can be a bit high at times, but overall, I would highly recommend Europa editions.

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